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Dastgāh-e Māhur or Dastgaah-e Maahur ((ペルシア語:دستگاه ماهور)) is one of the seven ''Dastgāh''s of Persian Music (Classically, Persian Music is organized into seven ''Dastgāhs'' and five ''Āvāz''es, however from a merely technical point of view, one can consider them as an ensemble of 12 ''Dastgāh''s). ==Introduction== The intervallic structure of the mode of ''Māhur'' partly parallels that of the major mode in western classic music. Yet, because of the other elements which go into the making of Persian modes, probably no melody in the major mode can be said to be in the mode of ''Māhur''. A far closer analogue from an intervallic standpoint is the Obikhod scale (widespread in Russian medieval Znamenny chant and folk song) and the Jewish Adonai malakh mode. The modal structure of ''Māhur'' is shown below for ''Māhur C'' : :: The characteristics of this mode are: # The range is unusually wide, a minor 10th. # The finalis has a central position; it is the linking tone of two conjunct major tetrachords. It is also the usual ''Āqāz''. # The 7th above the finalis is a semi-tone flatter than its lower octave, the 2nd below. # Leaps of thirds both ascending and descending are common. # Ascending leaps of perfect fourths are occasionally used. A leap of perfect fifth from the finalis to the 5th above is rarely used. The use of such leaps makes ''Māhur'' capable of greater excitement than most other Persian modes. But, the melodic movement is still predominantly step-wise. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Dastgāh-e Māhur」の詳細全文を読む スポンサード リンク
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